暂无剧情简介

这部电影讲述了德国画家迈克尔·特里格尔（Michael Triegel）修复由克拉纳赫（Cranach）绘制的瑙姆堡大教堂（Naumburg Cathedral）祭坛的生活与工作历程。

A documentary about actor Michael Caine. Narrated by Caine himself, it includes interviews of his family, friends and colleagues and clips from some of his films.

This retrospective follows Sir Michael Caine's impressive career, featuring archive clips woven together with interviews from colleagues and critics. It covers his 50-year-long career with classic films like Zulu, The Ipcress File, The Italian Job, The Man Who Would Be King and Get Carter, plus the more recent controversial British film, Harry Brown.

Sir David Attenborough and Sir Michael Palin reflect on the impact of the Covid-19 pandemic and what it has taught us about global co-operation in tackling some of the biggest challenges our planet is faced with.

Michael Caine teaches the art of movie acting to five young actors, who perform scenes from Alfie (1966), Deathtrap (1982) and Educating Rita (1983)

Here is what happened in a Toronto classroom when teachers occupied the children's desks and children became the teachers. The film grew out of another, Mrs. Ryan's Drama Class, where young children found their way into creative drama. There is food for thought in this impromptu reversal of roles.

①亨利·约翰·亨氏 ②亨利·史坦威 ③约翰·雅各·阿斯特 ④李维·斯特劳斯 ⑤威廉·爱德华·波音

Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.

Sir Sir Sarla explores the complexities of love through three interconnected lives. University students Sarla and Phanidhar share a deep affection for their professor, Palekar, but in very different ways. Sarla is romantically in love with him and dreams of a future together, while Phanidhar's feelings are a conflicted mix of admiration, resentment, and blame. He believes the professor's decision to distance Sarla and encourage her marriage to Keshav has left all their lives unfulfilled. As Sarla finds herself neglected in her marriage, old wounds resurface, leading to a series of confrontations that leave the audience questioning whether Professor Palekar's choices were truly the right ones.